Dunlop Cry Baby GCB95 Wah: The Original and Best-Selling Wah Pedal

The Dunlop Cry Baby GCB95 is the wah pedal that defined the effect, used by Jimi Hendrix, Steve Vai, Joe Satriani, and countless others to create the signature “wah-wah” sound that shaped rock, funk, and blues history. At around $70-80, it remains an affordable classic that delivers authentic wah tone with incredible responsiveness and character. The Cry Baby’s vocal, expressive sweep is perfect for everything from funky rhythm work to soulful lead playing.
Specifications
| Spec | Details |
|---|---|
| Type | Wah-Wah Effect Pedal |
| Range | Full frequency sweep with mechanical inductor |
| Bypass | True bypass |
| Power | 9V battery or PSU |
| Footswitch | Expression pedal |
| Responsiveness | Mechanical (foot-controlled sweep) |
| Enclosure | Metal and rubber |
Tone and Sound Character
The Cry Baby’s wah tone is vocal, expressive, and unmistakably authentic. The mechanical inductor design creates the signature resonant sweep that became synonymous with the effect. When you push the pedal forward, frequencies shift from dark and muddy to bright and cutting, with a peak of resonance in the midrange that creates the characteristic “wah” vocal quality. The responsiveness is immediate and intuitive—your foot controls the effect completely.
The Cry Baby works beautifully on clean tones, where the wah effect is obvious and singable. On overdriven or fuzzy tones, the wah adds dynamic expression and character to aggressive riffs and leads. The pedal’s sonic character never sounds thin or artificial—it’s thick, present, and genuinely vocal, like your amp is singing along with your playing.
The Cry Baby’s responsiveness to foot movement is crucial. Unlike modern wah pedals with preset sweep ranges, the Cry Baby responds proportionally to your foot position, giving you complete intuitive control. This is why experienced wah players universally prefer the mechanical design—it allows for exact control and expressive playing.
Features and Versatility
The Cry Baby’s straightforward design is its greatest strength—there’s a foot pedal, an input, an output, and a power connection. No menus, no presets, no complications. Just pure wah effect controlled by your foot. The true bypass ensures your tone remains pristine when the pedal is off. The robust metal and rubber construction is road-ready and reliable.
The Cry Baby works beautifully in virtually every musical context. Funk players use it for rhythmic, syncopated wah tones. Rock and metal players use it for dynamic, expressive lead work. Blues players use it for soulful, singing tones. The pedal’s versatility and authenticity make it suitable for any style.
Who Should Buy the Cry Baby GCB95
If you want authentic, legendary wah tone with responsive foot control, the Cry Baby GCB95 is essential. It’s perfect for funk, rock, blues, and anyone interested in exploring wah as a primary effect. Lead players, rhythm players, and anyone seeking the sound that Jimi Hendrix made legendary should absolutely own one. The Cry Baby is the wah pedal against which all others are measured—a timeless classic that will serve you well for decades.
Related Pedals & Gear
If you found this review helpful, check out these related articles:
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- Dunlop EVH95 Eddie Van Halen Signature Cry Baby Wah Review
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Frequently Asked Questions
Is the Cry Baby wah good for beginners?
Absolutely. The Cry Baby’s responsive, intuitive foot control makes learning wah technique natural and satisfying. Its affordability and reliability make it perfect for players exploring wah effects for the first time.
Can I use the Cry Baby wah on distorted tones?
Yes, the Cry Baby works beautifully on distorted, overdriven, and fuzzy tones. The wah effect adds dynamic expression and character to heavy tones, perfect for rock and metal lead playing.
How is the Cry Baby different from auto-wah pedals?
The Cry Baby is a manual wah—you control the sweep with your foot. Auto-wah pedals use envelope filters to create automatic wah effects. The Cry Baby’s manual control offers more expressiveness and responsiveness.
