Dean Stealth Floyd FM Dime Slime Review


Dean Stealth Floyd FM Dime Slime

Dean Stealth Floyd FM Dime Slime

Dean Stealth Floyd FM Dime Slime Review

There are guitars that sit quietly in the corner of a music store, and then there are guitars that stop foot traffic dead in its tracks. The Dean Stealth Floyd FM in Dime Slime absolutely falls into the latter category. That toxic green flame maple top over a black body isn’t subtle — it’s a direct nod to the wild aesthetic that Dimebag Darrell Abbot made iconic during his days shredding with Pantera and Damageplan. But a killer paint job doesn’t mean a thing if the guitar doesn’t perform. After spending several weeks gigging and recording with this instrument, here’s the full breakdown.

Specs Overview

  • Body: Mahogany with figured maple top
  • Neck: Hard maple, bolt-on
  • Fingerboard: Ebonized rosewood, 12–16″ compound radius
  • Frets: 24 extra-jumbo stainless steel
  • Scale Length: 25.5″
  • Pickups: Dean USA Custom humbuckers (bridge and neck)
  • Bridge: Floyd Rose Special double-locking tremolo
  • Nut: Floyd Rose locking nut
  • Tuners: Dean die-cast
  • Controls: Single volume, single tone, 3-way toggle
  • Finish: Dime Slime (gloss green flame maple)
  • Street Price: Approximately $699–$749 USD

Build Quality and First Impressions

Out of the box, the Dime Slime finish is even more aggressive in person than in photos. The flame maple top is genuine, and the green stain over it gives off an almost radioactive glow under stage lighting. Dean didn’t cheap out on the cosmetics here — the binding is clean, the finish is thick and even, and there are no visible seams or sloppy joins where the maple meets the mahogany body. For more, see our Electric Guitar Buying Guide. For more, see our Complete Guide to Electric Guitar Brands. For more, see our How to Read Guitar Reviews.

The bolt-on maple neck is a chunky, rounded C-profile that sits somewhere between a vintage feel and a modern shred neck. It’s not as flat and fast as the neck you’d find on a Jackson Soloist SL2 or a Charvel Pro-Mod DK24, but it’s comfortable for extended play and feels solid in the hand. The ebonized rosewood fretboard has a slightly different feel than true rosewood — a touch more slippery — which actually works in favor of speed playing. The 12–16″ compound radius is a standout spec at this price point. Down in the cowboy chord territory it feels natural and comfortable; up at the 22nd and 24th frets, bends don’t choke out even when you’re pushing a full step and a half.

The extra-jumbo stainless steel frets are well-dressed — no sharp edges, no filing required, and they’re going to outlast nickel silver frets by a wide margin. At this price, stainless steel frets are genuinely impressive and something you won’t find on a comparable LTD EC-1000 or an Epiphone Les Paul Custom without going custom.

The Floyd Rose Special — Reality Check

Let’s talk about the bridge, because it’s a defining feature and a point of debate for many players. The Floyd Rose Special is the licensed, lower-cost variant of the original Floyd Rose 1000 series. It is not the original Floyd Rose. The knife edges and saddle blocks are made from a softer steel alloy than the original, which means over years of heavy use they will wear faster. That said, for a $700 guitar, it’s the right call — pairing a genuine Floyd Rose Original with this package would push the price closer to $900–$950 and change the market position entirely.

Setup out of the box was reasonable. The springs were balanced well enough that the trem sat almost parallel to the body, requiring only minor adjustment. String changes are the usual Floyd Rose ritual — frustrating if you’re new to it, manageable if you’ve done it a dozen times. Once it’s locked and set, tuning stability is excellent. Full divebombs to the deck and pulled-up harmonics both return to pitch without drama. Dimebag himself was notorious for his whammy abuse on guitars like the Dean From Hell and various custom Dean models — this system can handle that kind of punishment.

Tone and Pickups

The Dean USA Custom humbuckers are the question mark in this package. Dean doesn’t publish full specs on DC resistance or magnet type for these pickups, which is a little frustrating. In practice, the bridge pickup is hot — noticeably hotter than the Seymour Duncan JB that ships on many LTD guitars in this class. The attack is aggressive and compressed, which works well for down-tuned palm-muting riffs in the vein of Dimebag’s work on Vulgar Display of Power or Far Beyond Driven. Running through a Mesa Boogie Dual Rectifier on the Modern channel, the palm mutes are punishing and tight. Through a Marshall JCM800 or a Friedman BE-100, the pickup has enough output to push the preamp hard without needing a boost pedal.

The neck pickup is warmer and more usable than I expected. It won’t replace a PAF-style pickup like the Seymour Duncan ’59 or a Bare Knuckle Mule for clean jazz or blues work, but for lead lines and melodic solos with gain it cleans up and sings without getting muddy. Think less Carlos Santana, more Dime’s cleaner lead work on “Cemetery Gates.”

The Dean Kerry King VX – V-Shaped Metal Signature at $499 offers a different approach within the same Dean family.

The mahogany body combined with the maple top gives the guitar a thick midrange foundation that is distinct from, say, an alder-bodied Jackson RR3. String resonance is strong acoustically — you can hear the neck-through warmth even though this is a bolt-on construction. The 25.5″ scale keeps the low end tight, especially when dropping to D or C# tuning, which is exactly where this guitar wants to live.

For another take on the Dean formula, check out the Dean Kerry King Overlord X – Metal Aggression at $499.

Playability

The neck heel is carved somewhat aggressively on the treble side, making upper fret access easier than you’d expect from a bolt-on construction. It’s not as seamless as a neck-through like the LTD MH-1000 or a Dean ML 79, but it’s genuinely functional for lead playing above the 17th fret. The action came in a touch high from the factory, and a quick truss rod adjustment and saddle lowering brought it into comfortable territory without any fret buzz.

The 24 extra-jumbo frets are a major asset. Bending is effortless, and tapping runs come out cleanly without requiring excessive pressure. Players who’ve spent time on Jackson’s higher-end models like the USA Select Dinky or the MJ Series Soloist will notice the Dean’s neck is slightly thicker front-to-back, which will either feel reassuring or slightly slow depending on your hands.

The ESP LTD Alexi Sawtooth SE 20th Anniversary is a strong alternative from a rival brand.

Who Is This Guitar For?

The Dean Stealth Floyd FM Dime Slime is built for one very specific player profile: the hard rock and heavy metal guitarist who wants a visually aggressive, Floyd Rose-equipped instrument that pays tribute to Dimebag Darrell without spending $3,000+ on a signature model. It excels at drop-tuned rhythm work, shred leads, and dive bomb theatrics. It is not a versatile do-everything instrument. If you play country, jazz, or even blues rock, there are better choices at this price point.

Players coming from an LTD EC-1000 or an Epiphone Prophecy will find this guitar similarly capable but with a distinctly different tonal character — heavier in the mids, more aggressive in the pick attack. Players coming from a Charvel Pro-Mod San Dimas or a Kramer Baretta Special will find the Dean thicker and beefier feeling in almost every way.

For a competing option, the Jackson Misha Mansoor Juggernaut HT6 targets a similar player at a comparable price point.

Honest Pros and Cons

Pros

  • Stainless steel extra-jumbo frets at this price are a genuine value add
  • Compound radius fretboard (12–16″) eliminates bend choke-out issues
  • Dime Slime finish is legitimately stunning and well-executed
  • Floyd Rose Special holds tune reliably and handles abuse well
  • Mahogany/maple combination delivers thick, punishing low-mid response
  • Strong gigging aesthetic — stage presence is undeniable

Cons

  • Floyd Rose Special will wear faster than an original over years of heavy use
  • Pickup specs are undisclosed — Dean needs to be more transparent here
  • The neck profile is thicker than true shred necks like the Charvel or Jackson offerings at this price
  • Setup from the factory needs attention — action is slightly high out of the box
  • Limited tonal versatility — this is a high-gain machine and little else

How It Compares to the Competition

At $699–$749, the Dean Stealth Floyd FM Dime Slime is competing directly with the LTD MH-203QM ($699), the Jackson JS32T King V ($499–$599), and the Kramer Assault 220 Floyd ($599). The LTD MH-203QM has a neck-through construction and a quilt maple top for comparable money, which is a legitimate build quality advantage. The Jackson JS32T King V has the iconic body shape but a less impressive pickup and hardware package. The Kramer Assault 220 Floyd is lighter and faster but lacks the visual impact and tonal weight of the Dean.

If you’re willing to stretch the budget to $999, the LTD Deluxe MH-1000 Evertune or a used Jackson USA Select Dinky become real considerations. But within its specific price bracket, the Dean Stealth Floyd FM Dime Slime holds its own and offers something the competition genuinely can’t match — that signature Dimebag-inspired aesthetic executed with real care.

Verdict

The Dean Stealth Floyd FM Dime Slime is a focused, uncompromising heavy metal guitar that delivers real performance behind an attention-grabbing exterior. It’s not trying to be a versatile studio workhorse — it’s trying to be the loudest, meanest-looking guitar on stage, and it largely succeeds. The stainless steel frets, compound radius board, and Floyd Rose Special are the hardware highlights. The pickups do the job without being revelatory. A pickup swap to a Seymour Duncan Distortion (SH-6) or a DiMarzio Super Distortion at the bridge would push this guitar into genuinely exceptional territory for another $80–$100.

For the player who grew up watching Dimebag tear through “Mouth for War” and wants a guitar that carries that spirit without the signature model price tag, this is a compelling, honest option. Crank a Mesa Boogie Rectifier or a Friedman BE-Mini, find your inner Dime, and hold on tight.

Tyler Sutherland

Ty is a guitar player and gear obsessive who started chasing tone the moment he plugged into his first amp. He covers everything from new releases and signature models to hands-on reviews and playing technique at New Guitar Daily. When he's not writing, he's probably swapping pickups or arguing about neck profiles.

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