Boss NS-2 Noise Suppressor: Essential Noise Gate for High-Gain Rigs


Boss Ns 2 Noise Suppressor

Boss NS-2 Noise Suppressor: Essential Noise Gate for High-Gain Rigs

Boss NS-2 Noise Suppressor: Essential Noise Gate for High-Gain Rigs

The Boss NS-2 Noise Suppressor has become the standard noise gate solution for high-gain guitar rigs, used by metal musicians, hard rock players, and anyone dealing with noise issues from gain stacking, long cable runs, or less-than-ideal performance environments. At around $99, the NS-2 delivers professional-grade noise suppression in a compact stompbox with intuitive controls and two independent signal paths for sophisticated gate configuration. The NS-2’s effectiveness at eliminating hum, hiss, and unwanted noise has made it a pedalboard staple across touring rigs and studios worldwide. The pedal’s straightforward design prioritizes transparent operation—you engage the NS-2, dial in suppression threshold, and forget about it while your rig operates quietly during silent passages and responds naturally during playing. Whether you’re battling ground loop hum, amp hiss, or pickup noise, the NS-2 restores quietness to your rig without introducing unwanted artifacts or tone coloration.

Specifications

Specification Detail
Type Noise Suppressor/Gate
Controls Threshold, Reduction (Output level)
Signal Paths Two independent I/O pairs (Main and Expander/Send Return)
Bypass True Bypass
Power 2 AA batteries or Boss PSA series adapter
I/O Main Input/Output (1/4″ TS), Expander In/Out (1/4″ TS)
Noise Reduction Up to -80dB suppression
Dimensions 5.1″ W x 2.7″ D x 2.4″ H

Tone and Sound Character

The NS-2’s primary characteristic is transparency during active playing passages—when you’re playing loudly enough to exceed the suppression threshold, the NS-2 operates entirely invisibly, adding no tonal character or coloration. Your tone remains completely unaffected, with full dynamics and presence. This transparency is critical because any tonal coloration would compromise your carefully crafted distortion tone. The NS-2’s effectiveness manifests during silent passages—when you stop playing, the gate closes rapidly, suppressing hum, hiss, and other background noise. This transition is typically instantaneous enough that it doesn’t create audible artifacts or “pumping” effects.

The Threshold control determines the noise suppression sensitivity—set too high (low suppression) and noise remains audible during silent passages; set too low (high suppression) and your initial pick attacks might get cut off slightly as the gate responds to rising signal level. Finding the sweet spot requires slight adjustment, but once dialed in, the NS-2 operates transparently and consistently. The Reduction control manages the overall suppression intensity, allowing fine-tuning of how aggressively the gate closes during silent passages.

The NS-2’s overall character is about silence and cleanliness. A properly dialed-in NS-2 lets you play with all the aggression and gain your rig can provide, while silencing the rig completely between phrases. This combination of aggressive tone during playing and absolute quietness during silence is precisely what high-gain players need.

Features and Versatility

The NS-2’s two independent signal paths—Main and Expander—enable sophisticated gate configuration for complex rigs. The standard configuration uses the Main path for your full signal chain, gating your entire rig. The Expander path allows monitoring a specific point in your signal chain while gating the main output—for example, you could monitor your main distortion pedal output while gating drives that come after it. This configuration is invaluable for players using complex drive stacks who want the gate to respond to specific gain elements rather than your entire chain.

The NS-2’s compact footprint makes it an easy addition to any pedalboard. Most players position it early in the signal chain, right after the input, allowing it to gate the entire effect chain. Some prefer positioning it later in the chain, after drive pedals but before modulation and reverb, achieving different suppression characteristics. The true bypass ensures your signal remains completely unaffected when the NS-2 is off.

The NS-2 works beautifully with extreme gain structures—massive distortion stacks, high-gain amp heads, and long cable runs all introduce noise that the NS-2 effectively eliminates. Session musicians and touring professionals consider the NS-2 essential gear for maintaining professional audio quality in less-than-ideal performance environments.

Who Should Buy the Boss NS-2 Noise Suppressor

The NS-2 is essential for metal, hard rock, and extreme guitar players battling noise from high-gain rigs. Musicians dealing with ground loop hum, amplifier hiss, or pickup noise benefit from the NS-2’s aggressive noise suppression. Touring professionals appreciate the NS-2’s effectiveness at maintaining quiet rigs during silent passages while preserving tone during playing. Any guitarist using significant gain should consider the NS-2 non-negotiable pedalboard addition.

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Frequently Asked Questions

Will the NS-2 cut off my pick attacks or first notes?

If set correctly, no. The Threshold should be set just above your noise floor so that normal playing always exceeds the gate threshold. If you’re experiencing cut-off, lower the Threshold slightly to allow more signal through before the gate engages.

How do I use the Expander path for a complex rig?

The Expander path is ideal for monitoring specific effect outputs when gating. For example, you could send your main distortion output to the Expander In, and the NS-2 would gate your entire signal chain while responding to that specific distortion level. This allows precise gate control in complex multi-drive rigs.

Does the NS-2 introduce latency or delay?

No. The NS-2 operates in real-time with negligible latency. The gate responds immediately to signal level changes, enabling transparent operation with no perceptible delay between playing and gate opening.

Tyler Sutherland

Ty is a guitar player and gear obsessive who started chasing tone the moment he plugged into his first amp. He covers everything from new releases and signature models to hands-on reviews and playing technique at New Guitar Daily. When he's not writing, he's probably swapping pickups or arguing about neck profiles.

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